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Words without Music

A Memoir

Audiobook
1 of 1 copy available
1 of 1 copy available

World-renowned composer of symphonies, operas, and film scores, Philip Glass has almost single-handedly crafted the dominant sound of late twentieth-century classical music. In Words without Music, he creates an entirely new and unexpected voice: that of a born storyteller and insightful chronicler, whose behind-the-scenes recollections allow one to experience the moments of creative fusion when life magically merges with art.

The transformation of a young man from budding musical prodigy to world-renowned composer is the story of this commanding memoir. From his childhood in post–World War II Baltimore to his student days in Chicago, at Juilliard, and his first journey to Paris, where he studied under the formidable Nadia Boulanger, Glass recalls his early mentors, while reconstructing the places that shaped his artistic consciousness. From a life-changing trip to India, where he met with gurus, to the gritty streets of New York in the 1970s, where he worked day jobs as a furniture mover, cabbie, and unlicensed plumber, Glass leads the life of a Parisian bohemian artist transported to twentieth-century America.

Even after Glass' talent was first widely recognized with the sensational premiere of Einstein on the Beach in 1976, he never abandoned his ideals throughout his collaborations with such artists as Allen Ginsberg, Ravi Shankar, Robert Wilson, Doris Lessing, and Martin Scorsese. And in this loving and slyly humorous autobiography, Philip Glass re-creates in words the thrill that results from artistic creation, ultimately affirming the power of music to change the world.

BONUS FEATURE: Includes "Etude No. 2," written and performed by Philip Glass

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    • AudioFile Magazine
      Philip Glass, the renowned composer of contemporary classical music as well as film scores, shares a mostly chronological audio memoir. Narrator Lloyd James provides a workmanlike performance--unemotional, clear, and even paced. Both the book and James's narration are graceful but lacking in drama. The narrative offers vignettes of the self-confident Glass as a child, followed by stories of his first part-time jobs, both emphasizing his early cultural mentors. But overall, there's little depth given to the circumstances and people Glass has encountered in his life experience. James's tenor voice is calm and engaging, and he clearly enunciates his words. Nonetheless, this work may be best enjoyed by those especially interested in Glass and his music. W.A.G. © AudioFile 2015, Portland, Maine
    • Publisher's Weekly

      March 9, 2015
      In this episodic narrative of intellectual and artistic development, famed American composer Glass describes his involvement in the avant-garde music and art scenes in New York in the 1950s through the 1980s, as well as learning harmony and counterpoint in Paris from the brilliant composer and conductor Nadia Boulanger in the 1960s. He recounts touring the Indian subcontinent in search of a guru and eventually winning fame for repetitive compositions like Einstein on the Beach and Koyaanisqatsi, which delighted some listeners and enraged others. (When an annoyed audience member came up and started banging on the piano keys, Glass recalls, “I belted him across the jaw and he staggered and fell off the stage.”) At its core, Glass’s story is about work—he worked as a mover, a plumber, and a taxi driver to keep his family fed during his decades of obscurity, and since then he has immersed himself in the craft of composing. Glass is raptly alive to the aesthetic epiphanies, philosophy, spirituality, and magnetic personalities he has encountered, yet his prose is conversational and free of pretense. The result is a lively, absorbing read that makes Glass’s rarefied cultural sphere wonderfully accessible.

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  • English

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