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The Laramie Project

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4 of 4 copies available
4 of 4 copies available
On October 7, 1998, a young gay man was discovered bound to a fence in the hills outside Laramie, Wyoming, savagely beaten and left to die in an act of hate that shocked the nation. Matthew Shepard’s death became a national symbol of intolerance, but for the people of Laramie the event was deeply personal, and it’s they we hear in this stunningly effective theater piece, a deeply complex portrait of a community.
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    • Publisher's Weekly

      September 10, 2001
      Moises Kaufman and his Tectonic Theater Project have written a play documenting the aftermath of the savage killing of Matthew Shepard, including the perspectives of both friends and strangers: The Laramie Project. This innovative theatrical composition, structured not in scenes, but in "moments," addresses the various issues relating to the tragedy of Shepard, a young gay man whose murder has since become a symbol for America's struggle against intolerance. Kaufman's approach is actor-based, as opposed to text-based; a side-effect of this actor-based approach is that in print form it seems as though something is missing. However, the play promises to move the reader with its authentic portrayal of a small town facing a terrifying event.

    • School Library Journal

      November 1, 2001
      Adult/High School-This remarkable play takes the form of a series of juxtaposed monologues, culled from hundreds of interviews that the authors conducted with residents of Laramie, WY, after the fatal beating of Matthew Shepard in 1998. Additional speeches are taken from journals the authors kept while they were involved in this project. From these fragments, a powerful whole is created, giving readers and audiences a full and shimmering picture of a quiet town suddenly thrust into the media spotlight and hastily branded as "backward." Shepard's friends are heard from, as are the friends of his convicted killers. Masterfully woven together to breathtaking effect are statements from Laramie's religious leaders-some of whom condemn the murder, others of whom condemn the victim. A thoughtful and moving theatrical tour de force.-Emily Lloyd, Fairfax County Public Library, VA

      Copyright 2001 School Library Journal, LLC Used with permission.

    • Library Journal

      September 1, 2001
      The savage murder of gay college student Matthew Shepard in October 1998 left deep wounds in the psyche of Laramie, WY, and in that of our entire nation. Soon after Matthew's death, Kaufman and members of his Tectonic Theater Project (also responsible for the highly acclaimed Gross Indecency: The Three Trials of Oscar Wilde) made a series of visits to Laramie over an 18-month period, conducting hundreds of face-to-face interviews with the town's citizens in order to create this piece. The words and voices of these people, including the college student who first discovered Matthew's broken body, Matthew's friends, teachers, the two young men responsible for his death, and Matthew's father, make this a deeply moving and brutally realistic dramatic experience. This true story of hate, fear, hope, and courage touched and changed many lives and will do so for everyone who reads or watches a performance of this theatrical masterpiece. Highly recommended for all collections. Howard Miller, St. Louis

      Copyright 2001 Library Journal, LLC Used with permission.

    • Booklist

      September 1, 2001
      In the clever docudrama " Gross Indecency" (1998), Kaufman wove the transcripts of the Oscar Wilde trials into a fascinating, enlightening evening of theater. In " The "" Laramie "Project, Kaufman and members of the Tectonic Theater Project attempt something similar and contemporary with the case of the torture and murder of Matthew Shepard in Laramie, Wyoming. Kaufman and company conducted hours of interviews with everyone remotely involved in the case, from one of Shepard's college professors to the girlfriend of one of the convicted killers. They cobbled together the highlights of those sessions into a work that aspires to the brilliance of Emily Mann's " Execution of "Justice, about the murders of San Francisco mayor George Moscone and supervisor Harvey Milk. The play falls short of that, however, largely because it lacks the cohesiveness and narrative thrust of Mann's play or even of" Gross Indecency." Still, it has moments of astonishing power, such as the chilling sequence in which an evangelical minister reveals his sympathy with Shepard's killers.(Reprinted with permission of Booklist, copyright 2001, American Library Association.)

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