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Pianist

138
Magazine

For the passionate players, or early beginners, Pianist magazine will teach you the art of piano playing through professional advice, sheet music and lessons for all levels. Your piano playing journey starts here with the magazine that doubles as an entertaining read and the ultimate interactive piano teacher. Read, learn and play the piano with Pianist magazine every issue. Improve your piano playing and perfect your tone with 40 pages of specially selected sheet music. Whether it’s reading fascinating industry articles or putting your fingers to work with beautiful sheet music, you’ll be playing like an expert in no time with a digital subscription to Pianist magazine!

Legacy of a legend

Pianist

Your chance to HAVE YOUR SAY

The heat is on • Summer learning at PIANO WEEK

RAISING THE BAR • Paul Wee talks to Erica Worth about the sense of perspective that comes from pursuing a career in law while playing hyper-virtuoso concertos

SERIOUSLY SPEAKING • Blessed with an admirably grounded demeanour, Jeneba Kanneh-Mason talks to Jessica Duchen about her new recording contract with Sony Classical, her love of Rachmaninov’s Second Concerto and the sibling dynamics in a family with seven ultra-talented children

NOTHING VENTURED BREAKING OUT FROM YOUR COMFORT ZONE • Need to give your playing a new lease of life? Then try the repertoire you’ve always kept at arm’s length, says Mark Tanner

BREAKING IT DOWN TO BUILD IT UP: THE THREE S’S • Delve into Graham Fitch’s toolbox to unearth his most precious items that will help get your pieces up to performance standard in no time – fermatas and all

THE SCORES • Pianist 138 • Read the lessons • Play the scores

THOMAS DUNHILL SWAYING BRANCHES FROM FIRST YEAR PIECES • This calm, contemplative and quiet piece requires a seamless transition of the melody line from one hand to the other, says Melanie Spanswick

CLEMENTI RONDO FROM SONATINA OP 36 NO 4 • With its catchy six-figure semiquaver motif, this sparkling Rondo is crisp, elegant, and a little bit addictive, says Nils Franke

CHOPIN WALTZ IN C SHARP MINOR • With three distinct sections containing a variety of technical challenges, this tender Waltz requires intense work by both hands: Gareth Owen shows how it’s done

HANS-GÜNTER HEUMANN BEGINNERS KEYBOARD CLASS • LESSON 63: MORE WARM-UP EXERCISES

Arnoldo SARTORIO (1853-1936) • Moderato in C

Melanie SPANSWICK • Strolling

Thomas DUNHILL (1887-1946) • Swaying Branches, No 11 from First Year Pieces

Erik SATIE (1866-1925) • Peccadilles importunes No 3

Samuil MAYKAPAR (1867-1938) • The Little Orphan, Biriulki Op 28 No 2

Amy BEACH (1867-1944) • Katy-Dids, No 4 from Summer Dreams Op 47

Amy BEACH (1867-1944) • Katy-Dids, No 4 from Summer Dreams Op 47

Wolfgang Amadeus MOZART (1756-1791) • Presto from the London Sketchbook K 15l

Samuil MAYKAPAR (1867-1938) • Arietta from Grande Sonatine Op 22

Isaac ALBÉNIZ (1860-1909) • Tango in D, No 2 from España Op 165

Muzio CLEMENTI (1752-1832) • Rondo from Sonatina Op 36 No 4

Mel BONIS (1858-1937) • Prélude Op 10

Johann Sebastian BACH (1685-1750) • Sarabande from Partita No 2 BWV 826

Samuil MAYKAPAR (1867-1938) • Pensée fugitive Op 11 No 6

Frédéric CHOPIN (1810-1849) • Waltz in C sharp minor Op 64 No 2

PIANO TEACHER HELP DESK Does no music mean no lesson? • What do you do when your student arrives empty-handed? Don’t send them packing, says Kathryn Page, who has a plethora of ideas up her sleeve

Who was SAMUIL MAYKAPAR? • Samuil Maykapar’s music is so much more than the easy pieces he penned for the beginner-level...


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Formats

OverDrive Magazine

Languages

English

For the passionate players, or early beginners, Pianist magazine will teach you the art of piano playing through professional advice, sheet music and lessons for all levels. Your piano playing journey starts here with the magazine that doubles as an entertaining read and the ultimate interactive piano teacher. Read, learn and play the piano with Pianist magazine every issue. Improve your piano playing and perfect your tone with 40 pages of specially selected sheet music. Whether it’s reading fascinating industry articles or putting your fingers to work with beautiful sheet music, you’ll be playing like an expert in no time with a digital subscription to Pianist magazine!

Legacy of a legend

Pianist

Your chance to HAVE YOUR SAY

The heat is on • Summer learning at PIANO WEEK

RAISING THE BAR • Paul Wee talks to Erica Worth about the sense of perspective that comes from pursuing a career in law while playing hyper-virtuoso concertos

SERIOUSLY SPEAKING • Blessed with an admirably grounded demeanour, Jeneba Kanneh-Mason talks to Jessica Duchen about her new recording contract with Sony Classical, her love of Rachmaninov’s Second Concerto and the sibling dynamics in a family with seven ultra-talented children

NOTHING VENTURED BREAKING OUT FROM YOUR COMFORT ZONE • Need to give your playing a new lease of life? Then try the repertoire you’ve always kept at arm’s length, says Mark Tanner

BREAKING IT DOWN TO BUILD IT UP: THE THREE S’S • Delve into Graham Fitch’s toolbox to unearth his most precious items that will help get your pieces up to performance standard in no time – fermatas and all

THE SCORES • Pianist 138 • Read the lessons • Play the scores

THOMAS DUNHILL SWAYING BRANCHES FROM FIRST YEAR PIECES • This calm, contemplative and quiet piece requires a seamless transition of the melody line from one hand to the other, says Melanie Spanswick

CLEMENTI RONDO FROM SONATINA OP 36 NO 4 • With its catchy six-figure semiquaver motif, this sparkling Rondo is crisp, elegant, and a little bit addictive, says Nils Franke

CHOPIN WALTZ IN C SHARP MINOR • With three distinct sections containing a variety of technical challenges, this tender Waltz requires intense work by both hands: Gareth Owen shows how it’s done

HANS-GÜNTER HEUMANN BEGINNERS KEYBOARD CLASS • LESSON 63: MORE WARM-UP EXERCISES

Arnoldo SARTORIO (1853-1936) • Moderato in C

Melanie SPANSWICK • Strolling

Thomas DUNHILL (1887-1946) • Swaying Branches, No 11 from First Year Pieces

Erik SATIE (1866-1925) • Peccadilles importunes No 3

Samuil MAYKAPAR (1867-1938) • The Little Orphan, Biriulki Op 28 No 2

Amy BEACH (1867-1944) • Katy-Dids, No 4 from Summer Dreams Op 47

Amy BEACH (1867-1944) • Katy-Dids, No 4 from Summer Dreams Op 47

Wolfgang Amadeus MOZART (1756-1791) • Presto from the London Sketchbook K 15l

Samuil MAYKAPAR (1867-1938) • Arietta from Grande Sonatine Op 22

Isaac ALBÉNIZ (1860-1909) • Tango in D, No 2 from España Op 165

Muzio CLEMENTI (1752-1832) • Rondo from Sonatina Op 36 No 4

Mel BONIS (1858-1937) • Prélude Op 10

Johann Sebastian BACH (1685-1750) • Sarabande from Partita No 2 BWV 826

Samuil MAYKAPAR (1867-1938) • Pensée fugitive Op 11 No 6

Frédéric CHOPIN (1810-1849) • Waltz in C sharp minor Op 64 No 2

PIANO TEACHER HELP DESK Does no music mean no lesson? • What do you do when your student arrives empty-handed? Don’t send them packing, says Kathryn Page, who has a plethora of ideas up her sleeve

Who was SAMUIL MAYKAPAR? • Samuil Maykapar’s music is so much more than the easy pieces he penned for the beginner-level...


Expand title description text